50

You encompass a fair number of multiplicities, but often seem hitched to the idea of direct, accurate self labelling such that many of the gradients are artificially flattened, much of the kaleidescope artificially reduced to four colors. It's not that you've always got to be something, a label or handle that may or may not carry cachet, but that you are always already something, that meaning and context can flow through you, rather than being diverted, blocked or dammed.