adrienmundi: (Default)
I can remember conversations with K and feeling seen in wholly unexpected ways when she compared my life to angles forced to reduce themselves to human dimensions, and every interaction, from interpersonal to sensory being defined by loss and pain.

I can remember sitting on Mt Arabia trying to meditate and center myself and realizing that the portal/shivering feeling I was used to feeling at the top of my neck/base of my skull started to extend across my shoulders to the triceps.

I can remember waking up to Hellsing running on my tablet (I sometimes stream anime when I can't sleep; it engages a part of my mind that gets in the way), seeing the silhouette of the vampire full of eyes, and feeling a recognition.

I can remember reading Something More Than Night and pausing over the description of seraphs. Something about the multiple wings and the sheer otherness of that stuck with me, overriding the noir identity shell game (which would otherwise have been exactly my jam).

There is something about wings (more than two, extending) and eyes (many more than six) that resonates with me deeply in ways I don't understand, don't necessarily want, and am kind of embarrassed about.
adrienmundi: (Default)
(reposted from the bad place, for safekeeping here)

[The following is brought to you by a lacuna carefully maintained by balancing depressants and stimulants under the watchful eye of a Baphomet mural, while serenaded by curiously modern string arrangements*]

Excerpts:

I want to talk to people about gods and magic who know more than me, but I'm very resistant to and aggressive toward people who present themselves as authorities, particularly in areas about which I care intensely (like gods and magic).

***

Most (not all) magicians I've met have been egocentric assholes. Even at my most generous, I have a hard time seeing keen, rigorously questioning self-awareness, much less questioning by others. While I certainly had my own issues around both egocentrism and assholery, I did not embrace magic or alternative religio-adjacent practices until later. Interestingly, this mirrors my approach to most psychoactives (alcohol excepted).

***

There is a power in darkness (which is not the same as "evil" or malicious intent). The power is important, but there is also a lushness, a richness, an appeal rooted in aesthetics and sensuality, and that's the hook set deep within me. Well, that and the feeling of familiarity/remembrance/welcome.

***

What I want is a framework that is enough in common to communicate important meaning, but not so rigid or inflexible as to render less common, more unknown meaning incomprehensible or meaningless. I want a tool set that has solid beginnings, but blurred and open lines as well, so the new can be accessed.

What I want is a framework th at is enough in common to communicate important meaning, but not so rigid or inflexible as to render less common, more unknown meaning incomprehensible or meaningless. I want a tool set that has solid beginnings, but blurred and open lines as well, where there is the possibility for the new alongside tweaks of the known.

God damn it, what I'm talking about is language. High referentiality, artistic flexibility, and the possibility of containing more than is denotatively ascribed. Damn it, damn it, damn it.

*Java Lords, from 2-3:30 on a Saturday afternoon: magic time

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adrienmundi

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